Einleitende Worte zum Fachymposium "Bildgestaltung und Urhebervertragsrecht" im Rahmen der 30. Jahreshauptversammlung des bvk (Bundesverband Kamera e.V.) am 23. Januar 2010
This report summarizes research on the perceptions of South African documentary filmmakers about copyright clearance requirements and the effect of such requirements on their work. This work was performed in the context of a larger project exploring how lessons learned from “best practices” projects with documentary filmmakers in the U.S. can help their counterparts in other countries identify and overcome barriers to effective filmmaking posed by escalating copyright clearance requirements.
